Wednesday, December 28, 2011

Martin Limited Edition D-28M Elvis Presley Acoustic Guitar

!±8± Martin Limited Edition D-28M Elvis Presley Acoustic Guitar

This guitar has been produced by Martin as a special limited edition of just 175 guitars. It's designed to closely mimic and resemble Elvis Presley's famous 1955 D-28 including being fitted with a leather covering just as Elvis had to protect his own guitar at the time.

This unique cover was made by Charles Underwood for Elvis' guitar and made it instantly recognizable thanks to the guitars appearance in so many TV shows and concert photos. The case which comes with the D-28M is an oversized Geib style hardshell designed to fit the guitar and its cover perfectly.

The woods used in the building of this guitar are quite special. It features a very rare Madagascar rosewood back and side which is said to very closely resemble Brazilian rosewood. Of course due to the destruction of rainforest in Brazil and the governments attempts to stem the flow of this destruction, Brazilian rosewood although being wonderful for guitars is no longer on order.

The details of this guitar, as you might expect given its price tag and heritage, are quite impressive and it's obvious that Martin have taken the production of this guitar very seriously. It's made with a lot of love and aside from all the Elvis motifs and special touches the sound is quite amazing and powerful.

A number of classic features from Martin acoustic guitars of the 1950's have been preserved such as a 1-11/16' neck and Grover nickel tuners with the small oval buttons. The Martin logo on the headstock has also been taken from the old style decal of the 1950's.


Martin Limited Edition D-28M Elvis Presley Acoustic Guitar

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Tuesday, December 20, 2011

ALABAMA JUBILEE - ROBERT PERKINS & ALTON ELLIOTT with a 1948 Martin D-28 and a 1949 Martin D-18.

We don't do many instrumentals but here is an old standard, "Alabama Jubilee". This tune has always reminded me of "Limehouse Blues" and "Down Yonder". ..... Those interested in knowing about our instruments we are using here - I'm playing a 1948 Martin D-28 and Alton is doing rhythm on a 1949 Martin D-18.

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Saturday, December 17, 2011

The Martin Biplane 1909 12x18 Giclee on canvas

!±8±The Martin Biplane 1909 12x18 Giclee on canvas

Brand : Buyenlarge
Rate :
Price : $61.43
Post Date : Dec 17, 2011 13:57:23
Usually ships in 4-5 business days



Series: Biplanes
Artist: Charles H. Hubbell
Period:
Source country: USA
Source Year: 1941

BiPlanes or planes with Double sets of Wings during the period of early aviation



12 inch by 18 inch Giclee print on Canvas.

All files are stored digitally and are ready for reproduction. The quality is closely monitored to ensure professional results.

This item is custom made per order.

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Saturday, November 26, 2011

Martin D-18 Dreadnought Acoustic Guitar

!±8± Martin D-18 Dreadnought Acoustic Guitar

If ever there was a classic acoustic guitar then its got to be the Martin D-18. Boasting a mahogany back and sides, this guitar is famous for it's projection and it's ability to really cut through mixes when recording. A real sign of quality.

The model is a traditional dreadnought in shape and comes with a fretboard made of rosewood the same as the bridge. The tuning machine heads are perfectly smooth and will give you dependable tuning and stability, they are chrome enclosed.

Due to the large size of the guitar along with the quality of it's wood and construction, it produces a loud and warm tone with moderate bass and a clear treble. Naturally each guitar will still vary so you should use your own ears as the final judge and jury. Generally speaking however, the character of the D-18 and the quality of sound you can expect from it is excellent quite uniform.

Next up in the line of Martins is the HD28 and we'll be looking at this guitar in another article review. The D-18 compares very well to it's more expensive cousin and unless you are a guitar connoisseur or an expert player you will probably get the most value for money out of a D-18. Not only is it a wonderful guitar to record with but some reviewers comment that the neck on the D-18 is actually easier to play.

Generally described as a great acoustic guitar for blues, finger style, country or folk, the D-18 is a great looking guitar with beautiful wood grain and tone combined with expert finishing from the Martin factory. Musicians used to recording with acoustic guitars will also appreciate just how easy it is to mix due to it's projection and clarity of sound. Try one out for yourself.


Martin D-18 Dreadnought Acoustic Guitar

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Monday, November 14, 2011

How to Buy a Second-hand Acoustic Guitar - 9 Helpful Tips

!±8± How to Buy a Second-hand Acoustic Guitar - 9 Helpful Tips

So you have signed up for guitar lessons. Now you want to go out and get a used instrument but you don't know how to buy a second-hand acoustic guitar. These 9 helpful tips will explain what you should look for.

First thing, a word about buying a second-hand guitar.This can be a very good choice, a way to get a good quality instrument at a lesser price. While instruments do hold their value, a lot of people are still willing to pay more for that shiny, brand new, never been used, never been scratched instrument. If you can get past that, you can get yourself a good deal. One thing to keep in mind as well, is that no matter how careful you are with your instrument, if you use if often, it's going to get a scratch here and there.

That being said, let's see what you should be looking for -- what things will tell you whether your guitar is in good shape or bad shape! Let's take a look.

1. Overall Condition. Look at the guitar as you would a piece of furniture. What is the condition of the wood? Does it look good or does it look dried out? If it looks dried out, chances are that some of the glue has also dried out. That could lead to all kinds of problems. Steer clear of that one.

Also look for any chips or cracks. If the guitar is old, it will probably have chips and cracks.Take a closer look. Are they just on the surface? Just in the finish? Or is the entire piece of wood cracked? If the wood is cracked through, steer clear of that one too.

2. Neck -- Body Joint. This is where the guitar joins the body. Make sure there is a good solid connection. Check for anywhere that the neck is lifting away from the guitar. The strings are tuned very tightly. There is a lot of tension on the neck -- this joint has to stand up to a lot! You don't want a guitar that has even the slightest flaw in this connection.

3. Guitar Back . Some guitars are made from one piece of wood, some with more than one. This doesn't mean an inferior design, it is part of the style of the guitar.Turn the guitar over and look at the back. Observe the seam, where the two pieces meet, very carefully. Check to make sure it's solid and not coming apart and doesn't look at all dried out.

4. Body Side Seams. Check all along the sides of the guitar, both where the front "face" of the guitar meets the sides and where the back piece meets the sides.This part of the guitar is often what gets the bang when a guitar is bumped around.This is also a spot where glue might give way if the guitar has been subjected to a lot of dryness.

5. Straightness of the Neck. As already mentioned the neck has to handle a great deal of tension. Guitars in good shape often need an adjustment from time to time and a guitar that's not in good shape will undoubtedly have problems with the neck.

Take the guitar stretched out in front of you with the end of the body closest to you and the neck farthest away, so that you are looking down the neck towards the head. Observe the neck. Look for turning or twisting. It should look straight to your eye. Small adjustments can easily be made by a qualified professional "luthier", but big problems are "big problems!"

6. Check the Action. The "action" is how far the strings are off the neck (the fretboard) where you place your fingers to create the notes. The strings ideally should be very close to the neck! Often when there is a problem with the neck, the strings are very high off the fretboard. It is normal for the the strings to be higher where the neck meets the guitar, but not a lot higher. If the neck is in trouble, there is often a very big difference.

The action has a great deal to do with the playability of the guitar! When the strings are high off the fretboard, the guitar is difficult to play and it is very hard on the fingers. This is an extremely important point, and often inexperienced people do not know to look for this one.

7. Tuning Keys & Machine Heads. On the head of the guitar are the tuning keys and machine heads. You want to make sure that everything is in a straight line. Often a guitar that is out of shape will have bent tuning keys that are difficult or even impossible to turn. And sometimes the key is missing altogether and there's no handle to turn!

You want to be sure there's no rust or anything broken or chipped. It is best to turn the tuning keys too. They should turn fairly easily and feel very smooth as they turn. A guitar with hard sticky keys is very annoying and difficult to get into proper tune. And you tune your guitar every time you play! So, do keep that one in mind.

8. Check the Tuning. Here is another way to check out the neck. Find someone who has a good ear for pitch, if you don't, and it doesn't have to be a musician. My sister has a very good ear for pitch and doesn't even play an instrument.

Play an open string and then play the same string pushing it down at the twelfth fret (usually marked with a double dot).These notes are an octave apart. If the neck is out, this note will sound sour. It will not be the same pitch. Do this on every string! This is something I always do when checking out even brand new guitars! Pitch is extremely important to get a nice, sweet sound from your guitar.

One note here about pitch. If the guitar checks out on all the other points and the neck looks good and maybe just one string is a little out, that could mean only a minor adjustment. Look for big differences. If a guitar has been sitting awhile it is only logical that it may need an adjustment.

9. Where to Look for your Guitar. I had a student who found a very decent guitar at a yard sale, but I consider that she was lucky. It was old and dirty and had no strings. I cleaned it up, put strings on it and was amazed that it turned out to be O.K. But that's a risky business.

I would recommend, however, consignments at music stores or pawn shops.

About consignments -- you are probably stuck with it once you've bought it, so take your time and be sure. I can't speak for every music store, but I can say that the store I deal with would not want to have a piece of junk in their store, so you would not likely find a "bad" guitar on consignment there. But still you must take responsibility for your choice.

A word about pawn shops. Don't listen to any sales pitch about the condition of the guitar, use this check list and decide for yourself. The local pawn shop in my area will allow returns on items within 30 days. If you have that option, take the instrument to your teacher and have him or her give you the O.K. That's what I recommend to my new students. A note about location, if you are handy to a large city, you'll find much more selection there.

So those are my tips on how to buy a second-hand acoustic guitar. Buying second-hand can get you a really nice quality instrument. Many musicians feel that an older guitar has more character than a brand new one, so there you go!


How to Buy a Second-hand Acoustic Guitar - 9 Helpful Tips

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Wednesday, October 19, 2011

The Martin Bass Guitar Pros and Cons

!±8± The Martin Bass Guitar Pros and Cons

The Martin bass guitar is famous for its steel string guitars and have made several models of electric guitars. The company has withstood all the competition with constant innovation and reinventing all there models over the years. The management of the company has remained with the family and it is their sheer dedication to the craft and art of making guitars that has helped the company overcome all difficulties and emerge as a leading manufacturer of world class guitars.

There were some special characteristics of the martin bass guitar and in the earlier days these included an adjustable neck. A screw used to be mounted on the back of the heel of the neck and this was extended right up to the neck block. Due to this the neck could be moved up and down. By inserting a clock key in the heel the neck could be adjusted. This made playing the simple guitar a bit complicated and slowly this design was phased out.

One of the major innovations of Martin guitars is the X bracing system that was part of the guitar top design. This design is still in use and most musicians feel that it contributes a big way to the sound and treble of this guitar. Most of the guitars during the early years had a 12 fret neck and it was Martin guitars that introduced the 14 fret neck guitar.

You will be surprised to know that there are more than a hundred different models of the Martin guitar and they have been at the forefront of innovation and design that has revolutionized the guitar industry as a whole. In the year 2004 when they built their millionth guitar they studded it with rubies and diamonds making it one of the most priceless musical instruments to own.

It has been researched that during a concert a guitar endures more than 180 pounds of tension and the X bracing system that the Martin guitars are designed with see to it that it endures enormous amount of tension and does not warp under the force. There are also special models and limited editions that are made periodically to commemorate a special occasion.

Martin guitars have a unique labeling system where an initial letter and the number of zeroes signify the body size and type. The higher the number is the higher will be its design detail. There are many famous models of the Martin bass guitar and these include the 000-1, 000-15, 000-28EC, 000-28ECB, 000-18, D1, D18, D28, HD-28, HD-35, D-45, J-40, OM-28, OM-42PS, 16 series, 15 series, Road series, Little Martin, Backpacker and EB 18 to name just a few.

The vintage Martin bass guitars too fetch a good price as they are admired for their unique sound and bass.


The Martin Bass Guitar Pros and Cons

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Thursday, October 13, 2011

Martin D18 Guitars Reviewed

!±8± Martin D18 Guitars Reviewed

Martin D18 guitars can run well over 00, though you can find a few deals online that take the price, with case, down to a low 99. Keep in mind, though, that if you need it right away, your express order could add as much as 0 to the cost of the instrument.

What makes d18 instruments such high priced musical instruments? Let's take a look.

Constructed of mahogany blocks, and dovetailed neck joints, Martin d18 string guitars have a D-14 Fred body size. With a top made of solid Sitka spruce, and 5/16 inch top braces that have no scallop, the Martin D18 has sides and back made of genuine and solid mahogany.

The D18, end piece is black boltaron, as is its binding. The style of the top inlay is black and white alternating, of boltaron. There is no back or side inlay with D18 guitars. The nut material is white corian.

D18 guitars have a scale length of 24.4 inches, and the fingerboard position inlays are style 28. The back and side finish is polished gloss with a stain of maple and a dark filler. The belly style bridge is solid rosewood from East India.

Martin D18's have saddles with a radius of sixteen inches, compensates, and made of which Micarta. Their bridge and endpins are black, with dots of white, and the pick guards are black. The case for the D18 instrument is 640 molded, with a hard shell. Optional offers include electronics.

Left handed models of D18 guitars are available for no additional cost. Handcrafted in Pennsylvania, Martin D18 guitars come with a lifetime limited warranty.


Martin D18 Guitars Reviewed

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